America Seen: The Hunter and Cathy Allen Collection of Social Realist Prints

31 January 2014 - 13 April 2014

Milk and Steel

The 1920s through 1940s were decades of dramatic economic and cultural change in the United States―from the Roaring Twenties to the Great Depression to the New Deal. The period saw substantial growth in print culture in America, as the government instituted the Works Progress Administration (WPA), aiming to put unemployed Americans back to work. The Federal Art Project, a division of the WPA established in 1935, employed artists, including printmakers, to create works inspired by the “American Scene.” Alongside this government patronage, many artists also produced works for organizations such as Associated American Artists, founded in 1934, to deliver original prints directly to the public.

America Seen presents 38 prints from the era―lithographs, wood engravings, etchings, and wood-block prints―generously donated to the Ackland by Hunter Allen and his wife, Cathy Allen, a member of UNC-Chapel Hill’s Class of 1973.

The prints illustrate a broad range of popular and evocative subject matter through scenes from everyday life, both urban and rural: labor and unemployment, the hardship of poverty, the pleasure of pastimes such as cards and music, and cityscapes highlighting the New York City subway. To varying degrees these works of art are critical, documentary, and celebratory, but all are powerful visual statements about America during this turbulent time.

Public Programs | Microsite: A Closer Look at America Seen and Highlights from the Ackland’s Print Collection

To give an overview of printmaking processes, also included in America Seen is a compilation of the Pressure + Ink series of videos produced by the Museum of Modern Art:

Meissner_War_Bulletins

Give_Us_This_Day

Also on view at the Ackland, in connection with America Seen:

Hale Woodruff and Aaron Douglas: New Arrivals at the Ackland

This special installation presents an expressionistic 1940s Mississippi landscape by Hale Woodruff and a previously unknown gouache version of one of Aaron Douglas’ most important compositions from the same decade.

America in Motion: New Deal Documentary Films by Pare Lorentz

In connection with America Seen, the Ackland will continuously screen two politically charged, highly dramatic documentary films by Pare Lorentz, often called “FDR’s Moviemaker”: The Plow That Broke the Plains (1936), produced for the U.S. Resettlement Administration, and The River (1938), produced for the USDA Farm Security Administration.

 

Images from the collection of Hunter and Cathy Allen, Ackland Art Museum, The University of North Carolina at Chapel Hill:

Gan Kolski, Polish-American, 1899–1932: Steel and Milk, c. 1930; wood engraving. 2013.21.25.

Leo John Meissner, American, 1895–1977: War Bulletins, c. 1942; wood engraving. 2013.21.30.

John Stockton De Martelly, American, 1903–1979: Give Us This Day, 1937, published 1938; lithograph. 2013.21.9.