Glimpse into the Collection: “Tea Pots”

Abigail Wickes is a digital image technician at the Ackland Art Museum, and is part of the three-person team working to make digital images and metadata for all 17,000+ objects in the Ackland’s collection available to the public online. She became interested in digital image cataloging during an internship at the North Carolina Biotechnology Center while she was working towards her Master’s in Library Science at UNC-Chapel Hill (2012).

tea pot #1

Unidentified Artist, Chinese: Teapot with Lid, early 18th century, porcelain, Transferred from Louis Round Wilson Library, Willie P. Mangum Collection, 84.19.7ab.

Most of the art in the Ackland Art Museum’s collection of over 17,000 pieces is two dimensional, but there are also hundreds of three dimensional objects, like sculptures and pottery. Adding 3D objects to a museum database is a bit more complex, since there are more surfaces to photograph; there might be images on multiple sides (e.g. the front, back, top, and bottom views) of many 3D objects.  Continue reading

Glimpse into the Collection: “Creatures of Poictesme”

Abigail Wickes is a digital image technician at the Ackland Art Museum, and is part of the three-person team working to make digital images and metadata for all 17,000+ objects in the Ackland’s collection available to the public online. She became interested in digital image cataloging during an internship at the North Carolina Biotechnology Center while she was working towards her Master’s in Library Science at UNC-Chapel Hill (2012).

Poictesme: the Map of Philip Borsdale, 1674, 1920s

Frank Cheyne Papé, British, 1878-1972: Poictesme: the Map of Philip Borsdale, 1674, 1920s, color line block.
Ackland Art Museum, The University of North Carolina at Chapel Hill, Burton Emmett Collection, 58.1.2254

I found this beautiful map in my queue a few weeks ago, and I love all of the fantastic creatures it depicts. The Wikipedia page for Poictesme describes it as “a fictional country or province…roughly in the south of France” in which many of the fantasy works of James Branch Cabell take place. I’ve never read any Cabell, but apparently his work in fantasy fiction was a tremendous influence on many authors I love, including Neil Gaiman. Wherever Poictesme may be, it evidently has oceans with mermaids and sea serpents and forests with unicorns and hags. Continue reading