The second installation from the Peck Collection highlighted the fascination with architectural ruins that was so prevalent in Dutch and Flemish culture of the years around 1600. Whether an evocation of the Roman antiquity or a meditation on the historical fate of native structures, the subjects of the three drawings in this installment are related by the power of images showing decay, damage, and the ravages of time. Importantly, these drawings are also landscapes, setting the deterioration of buildings into the context of vibrant nature.
In January 2017, the Ackland Art Museum received its largest gift to date when Sheldon Peck (UNC-Chapel Hill, BS ’63, DDS ’66) and his wife Leena donated their extraordinary collection of 134 mostly 17th-century Dutch and Flemish master drawings, as well as significant funds for the stewardship of the collection, new acquisitions, and an endowed curatorial position in European and American art before 1950. At least one example from the collection is always on view at the Museum, but because these works of art on paper are light-sensitive, we rotate a select number of drawings with other objects from our permanent collection in an ongoing display called Focus on the Peck Collection. Click below to see past installations.
Sheldon Peck, a native of Durham, North Carolina, is a double alumnus of the University, receiving his undergraduate degree from Carolina in 1963 and his doctorate from the UNC School of Dentistry in 1966. He and Leena enjoyed distinguished careers as prominent orthodontic specialists and educators in the Boston area.
The Peck Collection started as a collaboration between Sheldon and his late brother Harvey and continued as a joint interest shared with Leena. The result of over 40 years of exceptional connoisseurship, scientifically rigorous analysis, and dedicated pursuit, the Peck Collection stands as an internationally significant achievement. Sadly, Leena Peck passed away in January of 2019.
Hendrik Hondius the Elder, Dutch, 1573–1650, Ruins of Castle Spangen, c. 1605, pen and brown ink and brown wash, over black chalk on paper, 8 13/16 × 13 1/8 in. (22.4 × 33.4 cm). Ackland Art Museum, University of North Carolina at Chapel Hill. The Peck Collection, 2017.1.45.