Portions of this essay were originally published in the Ackland’s Member E-Newsletter of 13 August 2015.
The start of a new academic year is always invigorating, and my thoughts are on the return of our Study Gallery on the second floor, one of the Ackland’s extraordinary programs. Over the course of the academic year, the Study Gallery will contain 36 short-term small exhibitions that accompany curricular teaching happening all across this wonderful University (six new installations reinstalled every six weeks).
There are always surprises in store here—from little-seen works to unconventional juxtapositions. You can see a socio-critical image by contemporary photographer Danny Lyon next to Albrecht Dürer’s masterpiece print Melancolia (part of the installation supporting a course on “Abnormal Psychology”). Also on view in the Gallery are nineteenth-century photographs of Turkish subjects (amongst the works for a course on “Gender in the Middle East”), a captivating ancient Egyptian cat amulet—surely, at only 1 centimeter tall, one of the smallest works in the Ackland collection (one of about two dozen works on display for “Egyptian Archaeology”)—and many other interesting pieces of art. Continue reading