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A Prejudice Against Paint? The Nineteenth- and Twentieth-century Stripping of Medieval Polychrome Sculpture,
Posted on by Hannah Williams in Behind the Scenes&Education&Permanent Collection
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The Unexpected Journey of an Artwork from a German Renaissance Household, to a French-Egyptian Jewish Collection, to Nazis, back to France, to New York, to Chapel Hill,
Posted on by Hannah Williams in Behind the Scenes&Education&Permanent Collection
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Don’t Judge a Sculpture by its Surface: This Sculpture Was Hiding Its Past in Its Pores,
Posted on by Hannah Williams in Behind the Scenes&Education&Permanent Collection